Logic pro x audio and music production pdf

  1. Logic Pro X: The Beginner’s Guide
  2. The Complete Logic Pro X Guide: Go from Beginner to Advanced | Tomas George | Skillshare
  3. Logic Pro X 10.3 - Apple Pro Training Series Professional Music Production
  4. Logic Pro X 10.3 - Apple Pro Training Series Professional Music Production

Apple Pro Training Series Logic Pro X Professional Audio Production David and Working with Real Instruments Lesson 1 Make Music with Logic Now!. From initial demos to mixing and mastering, seasoned authors Mark Cousins and Russ Hepworth-Sawyer show you how to get the most from Logic Pro X. By. Apple Pro Training Series: Logic Pro X Advanced Audio Production. David Dvorin .. for surround sound, and develop music and audio tracks for video and film.

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Logic Pro X Audio And Music Production Pdf

Logic Pro X - Apple Pro Training Series Professional Music Production - Ebook download as PDF File .pdf), Text File .txt) or read book online. a project. you'll explore the fundamentals of Logic Pro X and learn to record and edit audio. logic pro x shortcuts pdf Logic Pro X, Apple Logic, Digital Audio Workstation, I wasn't able to locate a decent Logic Pro X keyboard shortcuts cheat-sheet, so I. Download the Book:Logic Pro X: Audio And Music Production PDF For Free, Preface: From initial demos to mixing and mastering, seasoned authors Mark Cou.

WhatsApp Setting up a Template project with a few tweaks here and there could save you time in the future and increase your workflow. Because if you follow this tutorial, you should have to do everything just once and then hopefully your future production life will be easier. This is an ideal scenario for the majority of us who use Logic Pro X in the same way and for the same kinds of music production, whenever we boot the software up to compose. So stick with us while we guide you through the process of setting up a project, tailoring it to suit you and your music, creating templates and speeding up your workflow. And if you are an experienced user, who knows, you might see Logic in a new light, and you might save time too. Focus On — Your Audio Interface You will need a decent audio interface when recording with Logic and our tutorial helps you assign and set up a Template project for use with one. You can get really simple ones that allow a couple of tracks to be recorded and played back, or complex multi input and output interfaces that allow entire band performances to be recorded into Logic for editing later. Select your audio input device and sample rate from the drop down menus on the left. Similarly you want the main outputs of Logic linked to the speakers that you have connected to the outputs of your interface.

Customizing your main window layout to display the tools you need allows you to work faster and more comfortably, thereby giving you more time to focus on your music. The inspector is hidden, which allows you to see more of the Tracks area.

Logic Pro X: The Beginner’s Guide

The toolbar opens below the control bar. It displays buttons for easy access to the most-used features. To customize the control bar, Control-click it, and from the shortcut menu, choose Customize Control Bar and Display. To customize the toolbar, Control-click it and choose Customize Toolbar.

A Quick Help floating window appears. As you hover the mouse pointer over elements of the Logic Pro X interface, the Quick Help window describes that element.

The Quick Help window displays the functions name, defines what it does, and sometimes offers extra information. Whenever youre not sure what an interface element does, use Quick Help.

The documentation automatically displays the section relevant to the Logic Pro X area where you place the mouse pointer.

You will learn more about Logic Remote in Appendix A. The Mixer opens below the Tracks area. The Loop Browser opens to the right of the Tracks area. Note The first time you open the Loop Browser, you have to wait for Logic to index the loops before you can use it. You now have the control bar at the top, the Tracks area to the left, and the Loop Browser to the right, which is the perfect layout for the next exercise.

The Complete Logic Pro X Guide: Go from Beginner to Advanced | Tomas George | Skillshare

Youre already gaining familiarity with the Logic Pro X interface. By showing only those panes needed for the task at hand, you make your work easier and faster, allowing you to focus on the creative side. And talking about creative side, lets make some music!

Adding Apple Loops You will now start building your project using Apple Loops, which are prerecorded music snippets that automatically match the tempo of your project and are designed to be repeated seamlessly. Professional producers use Apple Loops all the time for video soundtracks, to add texture to a beat, to create unexpected effects, and so on.

At least one major hit song was produced entirely around a single Apple Loop. The Apple Loops included with Logic Pro X and earlier versions of Logic are royalty free, so you can use them in professional projects without worrying about licensing rights. Browsing and Previewing Loops To start building this song, you need to preview loops and choose which ones to use. The Loop Browser is the perfect tool for this job. It allows you to browse loops by instrument, genre, mood, and other attributes.

Depending on the Logic content installed on your Mac, you may see more results when searching for media. If you do not see at least the results needed to complete the exercises in the book, make sure you have installed all necessary content as described in the Getting Started section of this book. Each time you click a keyword button, the results list is shortened because fewer loops match the narrowing keyword search. You can preview loops by clicking them.

The loop is selected, its blue loop icon turns into a speaker, and the loop plays. At any time you can click another loop to preview it, or click the currently playing loop to stop playback. Apple Loops are previewed at the projects tempo. In the control bar, the information display shows the default project tempo of bpm beats per minute. You are currently previewing the loop at that default tempo. In the results list, you can see that Deep End Beat was produced at a tempo of 92 bpm.

Loops usually work best when used at or near their original tempos, so lets change the project tempo. Tip You can change numerical values in Logic Pro X two ways: drag the value up or down to increase or decrease it, or double-click the value and enter the desired number. The loop plays back at the 92 bpm project tempo. The loop does seem to groove better at the slower tempo.

Logic Pro X 10.3 - Apple Pro Training Series Professional Music Production

This loop has a nice funky feel, and you are going to use it as the beat for your music project. The workspace is the area below the ruler and to the right of the track headers, where regions are arranged to build a song. The loop is imported, and an audio region is placed on the audio track at the very beginning of the project.

An alert asks if you would like to use the tempo information embedded in the loop. The Loop Browser shows that the Good Life Beat original tempo is 88 bpm, a little slower than your current 92 bpm tempo. You will use that new tempo.

In the control bars LCD display, the project tempo changes to the tempo of the loop. The displayed tempo may be rounded off by 1 bpm. Your project now contains a single drum loop on a single track that plays only during bar 1. Its the most basic project, just enough for you to dive into the basic tasks of positioning the playhead, and starting and stopping playback. Later you will use those navigation chops to preview bass lines while listening to your new drum region, and add more loops. Navigating the Project One of the big advantages to producing music with a computer is that the whole song is laid out right before your eyes.

This representation makes it extremely easy to jump to a specific part of the song, start playback, quickly return to the beginning, or continuously repeat a section. Logic offers many ways to navigate your project.

In the following two exercises, you will use the transport buttons and their key commands, and you will learn how to continuously repeat a section of the project, which will allow you to keep playing the drum loop while you preview bass loops. Because many producing tasks are repetitive, you may find yourself playing, stopping, and positioning the playhead every few seconds.

Minimizing the time it takes to perform these basic operations will greatly improve your workflow and save valuable time. Although you may initially find it easier to click transport buttons with the mouse, moving a mouse with your hand while keeping your eyes on the screen is actually a time-consuming task.

Using key commands to control playback can significantly reduce that time, increasing your workflow efficiency as your fingers build up muscle memory.

To fully master key commands, you first need to understand key focus. To start this next exercise, you will preview an Apple Loop to make sure your Loop Browser has key focus.

Notice the blue frame around the Loop Browser. It indicates that the Loop Browser has key focus and is ready to respond to all Loop Browser key commands. Only one area at a time can have key focus. In the Loop Browser, the selected loop starts playing. Now lets give key focus to the Tracks area. The blue frame appears around the Tracks area to show that the Tracks area has key focus.

Logic Pro X 10.3 - Apple Pro Training Series Professional Music Production

When multiple panes are open in the main window, you can press Tab and Shift-Tab to cycle the key focus forward and backward through the panes. In the Tracks area, the playhead starts moving, playback begins, and during bar 1, you can hear the drum region on your track.

The Tracks area has key focus so the project starts playing back rather than playing the loop selected in the Loop Browser. To navigate your project, you can also click the transport buttons in the control bar.

The playhead stops, and the Stop button is replaced with a Go to Beginning button. The playhead jumps one bar forward each time. The playhead jumps one bar backward each time. Tip To fast-forward eight bars at a time, press Shift-. You can also position the playhead precisely where you want it by clicking in the ruler.

To start or stop playback at a specific location, you can double-click the lower half of the ruler. Playback starts from bar 3. You can also position the playhead without interrupting playback. You can again hear your drum loop.

Playback stops and the playhead moves to the location you clicked. Continuously Repeating a Section Sometimes when you are working on a specific section of your project, you may want to repeat a section multiple times without stopping playback. As youre working, the beat keeps going, and you no longer have to manually relocate the playhead. You will continue building your project by adding a bass track. To determine which bass loop works best with your drums, you will use Cycle mode to continuously repeat bar 1 as you preview bass loops in the Loop Browser.

You need to adjust the cycle area so that it spans the same length as the drum region. To do so, you will first select the drum region, which was deselected in the previous exercise when you clicked the background of the workspace. The region is highlighted to indicate that it is selected. When choosing a menu command, the corresponding key command usually appears to the right. In the control bar, the Cycle button is turned on and in the ruler, the cycle area turns yellow, indicating that Cycle mode is enabled.

The cycle area shows the section of the song that will repeat. The start and end position of the cycle area, called left and right locators, match the start and end of the selected region, and the cycle area goes from bar 1 to bar 2. When you choose Set Rounded Locators by Selection and Enable Cycle, the locators are always rounded to the nearest bar, so repeating the cycle area keeps the groove going.

The playhead starts moving, and your drums play. When the playhead reaches bar 2, it immediately jumps back to the beginning of bar 1 and continues playback. While your drums continue playing, you can preview some bass loops. All keyword buttons are disabled. For the bass loops, lets limit the search to a specific musical genre.

Only loops from the Hip Hop collection are displayed in the results list. Since we know loops typically work better when played close to their original tempos, lets sort the results list by tempo and look for loops that were produced at or around 88 bpm. The loops in the results list are sorted by increasing tempo. Note As you scroll the result list you may see some loops that are grayed out, with a down-arrow icon next to their name.

This means those loops are not installed on your Mac. To download and install one of those loops, click its down-arrow icon. Now we choose the track types that our project is going to consist of. Similarly you want the main outputs of Logic linked to the speakers that you have connected to the outputs of your interface.

All of this is included and you should only have to do this here very often it will already be set up for you. We need to check that the physical inputs of our soundcard are assigned to the right tracks we are creating.

In this case we want this track to be our record input so have assigned it to 1 on the Saffire. This is the input that we will be recording into Logic from i. In our case we simply have the mono input from a synth. Similarly we may as well check our main outputs are assigned to our monitors via our soundcard.

Here they are shown as channels 1 and 2 out. On our soundcard, the monitor outputs 1 and 2 are assigned to the main monitors shown connected here. Our main inputs and outputs for our project are now set and our interface assigned. Now press Create and you can see that our audio track is created in the main window.

If we hit the mixer icon top left we can see our track and its Input is set to channel 1 on our interface. This tutorial is endorsed by Point Blank. You can study sound to picture on their Music Production Diploma courses, with pro industry tutors. Tuesday, April 16, JBL One Series Rob Papen Vecto. Roland VT-4 Voice Transformer. Studiologic Mixface. Why the ADAT still deserves some reverence.

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